Rupert Brooke

(1887-1915)
"If I should die, think only this of me:
That there's some corner of a foreign field
That is for ever England. There shall be
In that rich earth a richer dust concealed" ("The Soldier")


Rupert Brooke was popular, not least because of his good looks (he was "the most handsome man in England" according to WB Yeats) and charisma and after winning a scholarship to King's College, Cambridge, he spent his time there establishing himself as a major figure on the literary scene. His friends included EM Forster, Virginia Woolf and the economist John Maynard Keynes (all members of the 'Bloomsbury Group') and in his short lifetime he won the respect and admiration as a poet of the highest order. Brooke's early poetry is not that for which he is remembered, but is startling - particularly for those familiar with his war poems of 1914 - in its candour (see "Heaven"). He began writing poems in 1909 and his Poems 1911 and pieces written for the first two Georgian Poetry (1912) volumes organised by his friends EH Marsh and HE Monro (later attacked by radical poets Pound and Eliot but now well regarded). After becoming a fellow of King's College in 1913, and writing a one
act play - Lithuania - he had a breakdown and began travelling in America and Canada where he continued to write poetry that he would later declare a personal preference for. He enlisted in 1914 but actually saw very little action in the War. Poems like "The Soldier" saw Brooke become the patriotic poet of the early years of World War I for England, but he died in the Dardanelles of blood poisoning in 1915 before his verse could adapt to reflect the true horror of the war as later depicted by Sassoon and Owen. Despite the fame bestowed upon him at the time of his death due to the influence of his family and his friends, and his posthumously released 1914 and Other Poems (1915), his reputation is now based on the lighter verse and poems from his Pacific/ Tahiti period. His life sadly cut short, his work survives as only a fraction of what he might have achieved given time in his Collected Poems.

The Great Lover

I have been so great a lover: filled my days
So proudly with the splendour of Love's praise,
The pain, the calm, and the astonishment,
Desire illimitable, and still content,
And all dear names men use, to cheat despair,
For the perplexed and viewless streams that bear
Our hearts at random down the dark of life.
Now, ere the unthinking silence on that strife
Steals down, I would cheat drowsy Death so far,
My night shall be remembered for a star
That outshone all the suns of all men's days.
Shall I not crown them with immortal praise
Whom I have loved, who have given me, dared with me
High secrets, and in darkness knelt to see
The inenarrable godhead of delight?
Love is a flame:--we have beaconed the world's night.

A city:--and we have built it, these and I.
An emperor:--we have taught the world to die.
So, for their sakes I loved, ere I go hence,
And the high cause of Love's magnificence,
And to keep loyalties young, I'll write those names
Golden for ever, eagles, crying flames,
And set them as a banner, that men may know,
To dare the generations, burn, and blow
Out on the wind of Time, shining and streaming . . . .
These I have loved:
White plates and cups, clean-gleaming,
Ringed with blue lines; and feathery, faery dust;
Wet roofs, beneath the lamp-light; the strong crust

Of friendly bread; and many-tasting food;
Rainbows; and the blue bitter smoke of wood;
And radiant raindrops couching in cool flowers;
And flowers themselves, that sway through sunny hours,
Dreaming of moths that drink them under the moon;
Then, the cool kindliness of sheets, that soon
Smooth away trouble; and the rough male kiss
Of blankets; grainy wood; live hair that is
Shining and free; blue-massing clouds; the keen
Unpassioned beauty of a great machine;
The benison of hot water; furs to touch;
The good smell of old clothes; and other such--
The comfortable smell of friendly fingers,
Hair's fragrance, and the musty reek that lingers
About dead leaves and last year's ferns. . . .


Dear names,

And thousand other throng to me! Royal flames;
Sweet water's dimpling laugh from tap or spring;
Holes in the ground; and voices that do sing;
Voices in laughter, too; and body's pain,
Soon turned to peace; and the deep-panting train;
Firm sands; the little dulling edge of foam
That browns and dwindles as the wave goes home;
And washen stones, gay for an hour; the cold
Graveness of iron; moist black earthen mould;
Sleep; and high places; footprints in the dew;
And oaks; and brown horse-chestnuts, glossy-new;
And new-peeled sticks; and shining pools on grass;--
All these have been my loves. And these shall pass,
Whatever passes not, in the great hour,
Nor all my passion, all my prayers, have power

To hold them with me through the gate of Death.
They'll play deserter, turn with the traitor breath,
Break the high bond we made, and sell Love's trust
And sacramented covenant to the dust.
----Oh, never a doubt but, somewhere, I shall wake,
And give what's left of love again, and make
New friends, now strangers. . . .
But the best I've known
Stays here, and changes, breaks, grows old, is blown
About the winds of the world, and fades from brains
Of living men, and dies.
Nothing remains.
O dear my loves, O faithless, once again
This one last gift I give: that after men
Shall know, and later lovers, far-removed,
Praise you, 'All these were lovely'; say, 'He loved.'

The Soldier

If I should die, think only this of me:
That there's some corner of a foreign field

That is for ever England. There shall be
In that rich earth a richer dust concealed;

A dust whom England bore, shaped, made aware,
Gave, once, her flowers to love, her ways to roam,

A body of England's, breathing English air,
Washed by the rivers, blest by suns of home.

And think, this heart, all evil shed away,
A pulse in the eternal mind, no less

Gives somewhere back the thoughts by England given;
Her sights and sounds; dreams happy as her day;

And laughter, learnt of friends; and gentleness,
In hearts at peace, under an English heaven.


Tiare Tahiti

Mamua, when our laughter ends,

And hearts and bodies, brown as white,

Are dust about the doors of friends,

Or scent ablowing down the night,

Then, oh! then, the wise agree,

Comes our immortality.

Mamua, there waits a land

Hard for us to understand.

Out of time, beyond the sun,

All are one in Paradise,

You and Pupure are one,

And Tau, and the ungainly wise.

There the Eternals are, and there

The Good, the Lovely, and the True,

And Types, whose earthly copies were

The foolish broken things we knew;

There is the Face, whose ghosts we are;

The real, the never-setting Star;

And the Flower, of which we love

Faint and fading shadows here;

Never a tear, but only Grief;

Dance, but not the limbs that move;

Songs in Song shall disappear;

Instead of lovers, Love shall be;

For hearts, Immutability;

And there, on the Ideal Reef,

Thunders the Everlasting Sea!

And my laughter, and my pain,

Shall home to the Eternal Brain.

And all lovely things, they say,

Meet in Loveliness again;

Miri's laugh, Teipo's feet,

And the hands of Matua,

Stars and sunlight there shall meet,

Coral's hues and rainbows there,

And Teura's braided hair;

And with the starred 'tiare's' white,

And white birds in the dark ravine,

And 'flamboyants' ablaze at night,

And jewels, and evening's after-green,

And dawns of pearl and gold and red,

Mamua, your lovelier head!

And there'll no more be one who dreams

Under the ferns, of crumbling stuff,

Eyes of illusion, mouth that seems,

All time-entangled human love.

And you'll no longer swing and sway

Divinely down the scented shade,

Where feet to Ambulation fade,

And moons are lost in endless Day.

How shall we wind these wreaths of ours,

Where there are neither heads nor flowers?

Oh, Heaven's Heaven! -- but we'll be missing

The palms, and sunlight, and the south;

And there's an end, I think, of kissing,

When our mouths are one with Mouth. . . .


'Taü here', Mamua,

Crown the hair, and come away!

Hear the calling of the moon,

And the whispering scents that stray

About the idle warm lagoon.

Hasten, hand in human hand,

Down the dark, the flowered way,

Along the whiteness of the sand,

And in the water's soft caress,

Wash the mind of foolishness,

Mamua, until the day.

Spend the glittering moonlight there

Pursuing down the soundless deep

Limbs that gleam and shadowy hair,

Or floating lazy, half-asleep.

Dive and double and follow after,

Snare in flowers, and kiss, and call,

With lips that fade, and human laughter

And faces individual,

Well this side of Paradise! . . .

There's little comfort in the wise.

his death.

 


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