I am Kritya. 
The intense word power,
which always moves along with the ultimate truth, which exists completely in accord with rightness.

Kritya is an international journal of poetry publishing contemporary Indian & world poetry Besides, it also features poetry in regional Indian languages in translation To keep continuity with our past, we publish the works of classical masters. Kritya is also a humble initiative from India to make use of the web and the internet as new platform of practicing and disseminating literature
 

(ISSN 0976-514X)

Poetry Books
By
  Kritya publication

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                International    Poetry          Festival -  Kritya2010
 

 

Ink runs from the corners of my mouth
There is no happiness like mine.
I have been eating poetry.
~Mark Strand, "Eating Poetry," Reasons for Moving, 1968

What better way of representing what poetry is all about? The ecstasy offered by inspired poetry is unparalleled. It is solid sustenance for the mind as well as the body. Caught in the magic of words, you tend to forget the pangs of the stomach. Or is it that in a transcendental state, your physical cravings are trifled? Well, at Kritya, it remains our vested goal to introduce the best of poets and poems to you, our dear readers. It is with that mission that in every issue we strive to bring poems from all parts of the world, so at Kritya we are a world by itself. Thinking from that angle, it is evident that poetry is indeed an excellent tool for forging strong relationships. This has been proved by our experience with the Kritya poetry festivals, which bring together not only poets but those from its sister arts as well. People meet, interact and leave the best of friends. And the warmth of that friendship is something unique.

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I'm caught in your headlights

so I know that you can see.

But you are not swerving.

Just crash right into me.

You feel like steel

and caress much too hard.

Breathing like an engine,

I'm caught on your shards
Elan Pavlinich
*
I am not here.
Cease being.
Gravity shifts
and my soul slips
out of my lips.
How kind it is
to let my body
sleep. All she
ever wanted.
Lisa Zaran
*
Tipu didn't call me
he didn't call me alone
nor did he call you
My coming
And your absence
in not being here
Was Tipu's part relevant after three centuries?
The great warrior died fighting with British army
He couldn't be a phantom
But could form into a deity
By calling us together here in this land.
Dushyant
*
Should I say
I am lost,
far from home,
as the masters
say from
their exiles?
I am glad
to be walking
high above
a village full
of strangers.
Peter Waldor
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How to approach a book-universe ? To open The Master and Margarita is to enter a microcosm which has its own laws, the only way to travel in it is to let go and allow oneself to be dragged down into its ever-changing atmosphere and bubbling, deep waters, dark as lightening. You will not drown, you are offered the pleasure of flying dangerously over abysses but never be swallowed by them. The rigorous structure of the narrative, its multiple threads intertwined in an clockwork manner, support with ease the explosive material and furious freedom. The punching satire, sometimes hyperrealist, others surrealistic, of Soviet bureaucracy, society and literary life and the basso continuo of the narrative on Jesus and Pilate are the exact counterweight which balances the whirling fireworks of scenes which levitate or fly away in a pulsating rhythm as Margarita on her broom.
Which specificity makes the reading of this book an unique experience of continuous
Vicky Slavuski
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Letters from Prison

Take out the dress i first saw you in
look your best,
look like spring trees
Wear in your hair
the carnation i sent you in a letter from prison,
raise your kissable, lined, broad white forehead.
Today, not broken and sad-
no way!
today Nazim Hikmet's woman must be beautiful
like a rebel flag...

Do not live on Earth

Like a house tenant

Or visitor to the countryside

Do live on Earth

As if the world was your father’s house

Trust in love, land and sea

But trust Man before other things

Give your love to clouds, machines and books

But love Man more than other things

Do feel the gloom of a dry branch

And a lifeless planet

And a lame animal

But feel the gloom of Man first of all

Let all the goods of earth
Nazim Hikmet
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Here lies Rasul Gamzatov.
--------------------
My elder brother died twelve years ago
Upon the battlefield of Stalingrad.

My aged mother nurses still her woe
And goes about the house in mourning clad.

And there is pain and bitterness for me
In knowing I am older now than he.
*
If every loving thought and look
Became a lyric line,
Ther'd be no bigger poetry book
On themes of love, than mine.
But still the book is small-what's worse,
I'm writing nothing new:
Whatever time I have for verse
I'd rather spend with you.
If in this world a thousand men
With love for you are smarting,
Know that among those thousand men
*
Am I, Rasul Gamzatov.

If to your love
one hundred men
Enrol as willing martyrs,
Among them seek the mountaineer
By name Rasul Gamzatov.

If ten fine fellows you entrance,
Among those glad to barter
Their fortune for a loving glance
Am I, Rasul Gamzatov

Should but one lover seek your hand
With fearless, peerless ardour,
Be sure the man's none other than
The mountaineer, Gamzatov.

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VOL- VI / ISSUE - III
(September -2010)
 

Chief Editor  

Rati Saxena

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