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Kristina Marie Darling
Kristina Marie Darling is a student at
Washington University in St. Louis.
Her poetry has appeared in or is forthcoming in Offerings,
Freefall, The Mid-America Poetry Review, The Neovictorian/Cochlea,
Poetry Motel, 3 cup morning, Telicom, Wicked Alice, Baby Clam
Press, Chantarelle's Notebook, Kritya, Parting Gifts, Dream
Fantasy International, Toes, The Other Voices International
Project, The Mad Hatter's Review, and Poetry Superhighway.
Her personal essays have appeared in or are forthcoming in Her
Circle Ezine, SubteTea, Prose Toad, Zygote in My Coffee, and
Quiet Mountain: New Feminist Essays.
A book of her poems, The Traffic in Women, is forthcoming from
Dancing Girl Press.
She also attended the Kenyon Review Writers Workshop in 2004 and
the Washington University Summer Writers Institute on a
scholarship in 2005.
she can be reached-
Natalya178@aol.com
Opiate Seasons
My hair was still shaved down to the scalp the night I got his
message.
He
was thirty-seven, five foot eleven. Rich like the old men with
hooked noses. He didn’t care my teeth were chipped off, my
physique that of an under-aged old woman without her wig and
dentures. Don’t get me wrong, we all knew what he wanted. It was
nine a.m. when he called. I’d been at church, sleeping in a hard
plastic chair as my family praised Jesus, jumping like Mexican
beans in the aisles of the shoddy cathedral.
I’d started pulling out my hair by the follicles when I was
five. The hair came out willingly; it knew it didn’t belong.
When there were a few locks left my mom whipped out the razor.
And I was thirteen when the grinding started. I’d wake up, my
jaws clenched tight like a rusted door.
Then Pembroke entered the toothless, bald, and mono-stricken
scene. I was twenty-two and still living with my mom. He’d
called to let me know he’d be in town for Christmas. We met
online, and I wondered what was wrong with him. His photograph
was flawless, but only from the neck up. The rest was variable,
like the X in Calculus. His legs and torso could be anything,
from frog to midget.
He made me feel like I had teeth. He was British like the men on
Fig Newton Commercials, and dark like a burned out match.

In the morning I called. A woman’s voice nagged in the
background. I knew it was too young for his mother, and hung up
the phone. As I walked out to hit the bars, a small residue of
snow gathered on my scalp. The drunken men said I looked like a
cancer patient, their hot breath rank in the Minnesota air.
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